My eye has always been drawn to framing shots as though they were stills from a film. I’m not interested in standard portraits or shots that face the camera directly. Instead, I approach every portrait as if it’s part of a larger story, thinking about where the next shot might come from, how it connects to what preceded it, and how the lighting shapes the mood. It’s not about beauty for beauty’s sake, but rather about how the angle and light reveal something deeper about the character. That’s the challenge for me—finding how the visual elements can evoke emotion and tell a story.